Roger Rosenblatt ’s book Black Fiction,in attemptingto apply literaryratherthansociopolitical criteria to its subject, successfully alters the approach taken by mostprevious studies. As Rosenblatt notes, criticism of Black writing has often served as apretextfor expounding on Black history.Addison Gayle’s recent work, for example, judgesthe value of Black fiction by overtly political standards, rating each work according tothe notions of Black identity which it propounds.Although fictionassuredly springs from politicalcircumstances ，its authors react tothose circumstances in ways other than ideological, and talking about novels and storiesprimarilyas instrumentsof ideologycircumvents much of the fictional enterprise.Rosenblatt ’s literaryanalysisdisclosesaffinitiesand connections among works of Blackfiction which solely political studies have overlooked or ignored. Writing acceptable criticism ofBlack fiction, however, presupposes giving satisfactory answers to a number of questions.First of all, is there a sufficient reason, other than the facial identity of the authors, to group together works by Black authorsSecond, how does Black fiction make itself distinct from other modern fiction with which it islargely contemporaneous Rosenblatt shows that Black fiction constitutes a distinct bodyof writingthat has an identifiable， coherent literarytradition.Looking at novels writtenby Black over the last eighty years, he discovers recurringconcerns and designs independentof chronology. These structures are thematic, and they spring, not surprisingly, from thecentralfact that the Black charactersin these novels exist in a predominantlywhite culture,whether they try to conform to that culture or rebel against it.Black Fictiondoes leave some aestheticquestions open. Rosenblatt ’s thematic analysispermits considerable objectivity; he even explicitly states that it is not his intentionto judge the merit of the various works D yet his reluctance seems misplaced, especiallysince an attempt to appraise might have led to interesting results. For instance, some ofthe novels appear to be structurallydiffuse.Is this a defect,or are the authors workingout of, or trying to forge, a different kind of aesthetic In addition, the style of someBlack novels, like JeanToomey’s Cane, verges on expressionism or surrealism; does thistechnique provide a counterpointto the prevalenttheme that portrays the fate against whichBlack heroes are pitted,a theme usuallyconveyed by more naturalisticmodes of expressionIn spite of such omissions, what Rosenblatt does include in his discussion makes foran astute and worthwhile study. Black Fiction surveys a wide variety of novels, bringingto our attention in the process some fascinating and little-known works like James WeldonJohnson’s Autobiography of an Ex-Colored Man. Its argument is tightly constructed, andits forthright, lucid style exemplifies levelheaded and penetrating criticism.

1. The author of the text is primarily concerned with __________.

[A] Evaluating the soundness of a work of criticism.[B] Comparing various critical approaches to a subject.

[C] Discussing the limitations of a particular kind of criticism.

[D] Summarizing the major points made in a work of criticism.

2. The author of the text believes that Black Fiction would have been improved hadRosenblatt __________.

[A] Evaluated more carefully the ideological andhistoricalaspects of Black fiction.

[B] Attempted to be more objective in his approach to novels and stories by Blackauthors.

[C] Explorein greaterdetailthe recurrentthematicconcerns of Black fictionthroughout its history.

[D] Assessed the relative literary merit of the novels he analyzes thematically.

3.author ’s discussion of Black Fiction can be best described as __________.

[A] Pedantic and contentious.

[B] Critical but admiring.

[C] Ironic and deprecating.

[D] Argumentative but unfocused.author of the text employs all of the following in the discussion ofRosenblatt ’s

4.book EXCEPT： __________.

[A] Rhetorical questions.

[B] Specific examples.

[C] Comparison and contrast.

[D] Definition of terms.

5. The author of the text refers to James WeldonJohnson’s Autobiography of anEx-Colored Man most probably in order to __________.

[A] point out affinitiesbetween Rosenblatt ’s method of thematic analysis and earliercriticism.

[B] Clarify the point about expressionistic style made earlier in the passage.

[C] Qualify the assessment ofRosenblatt ’s book made in the first paragraph of thepassage.

[D] give a specific example of one of the accomplishments ofRosenblatt ’s work.

Thefanswereveryexcited______DavidBeckhamcametotheshow.

汉译英：暮色中，河湾里落满云霞，与天际的颜色混合一起，分不清哪是流云哪是水湾。也就在这一幅绚烂的图画旁边，在河湾之畔，一群羊正在低头觅食。它们几乎没有一个顾得上抬起头来，看一眼这美丽的黄昏。也许它们要抓紧时间，在即将回家的最后一刻再次咀嚼。这是黄河滩上的一幕。牧羊人不见了，他不知在处歇息。只有这些美生灵自由自在地享受着这个黄昏。这儿水草肥美，让它们长得肥滚滚的，像些胖娃娃。如果走近了，会发现它们那可爱的神情，洁白的牙齿，那丰富而单纯的表情。如果稍稍长久一点端详这张张面庞，还会生出无限的怜悯。

汉译英：朋友之间，情趣相投、脾气对味则合、则交，反之，则离、则绝。朋友之间再熟悉、再亲密，也不能随便过头、不恭不敬，这样，默契和平衡将被打破，友好关系将不复存在。每个人都希望拥有自己的一片私密空间，朋友之间过于随便，就容易侵入这片禁区，从而引起冲突，造成隔阂。待友不敬，有时或许只是一件小事，却可能已埋下了破坏性的种子。维持朋友亲密关系的最好办法是往来有节，互不干涉。

Every means ____ tried out but never with success, as far as my knowledge goes.